Triangle Blu-ray Review

Triangle
Written and Directed by: Christopher Smith
Starring: Melissa George, Liam Hemsworth, Michael Dorman, Henry Nixon, Rachael Carpani, Emma Lung, Joshua McIvor

triangle1

Sitting down to watch a horror/thriller called Triangle that takes place on a boat out in the middle of the Atlantic Ocean, you’d be forgiven for expecting a fairly straightforward and unoriginal story. But take all those preconceptions and throw them out the window, because this isn’t just another cheesy take on the legend of the Bermuda Triangle (at least not explicitly). Written and directed by Christopher Smith, the British director behind the gory horror-comedy Severance, this is a strange and wonderful mindbender of a film — one that navigates uncharted waters and pulls you down into a dizzying whirlpool of weirdness. If you’re a fan of far out Twilight Zone-esque concepts, then you’ll agree that this is definitely a good thing.

Melissa George plays Jess, a troubled single mother who accepts her friend Greg’s invitation to spend the day sailing on his yacht along with a small group of acquaintances. Once they are out to sea, however, a sudden storm rolls in, capsizing the boat and leaving them stranded. Soon, an ocean liner appears through the fog, but after climbing aboard it appears to be deserted… or is it? Slowly a mysterious masked figure starts picking them all off one by one, until Jess comes to the realization that she alone has the power to save them.

I haven’t seen Smith’s other previous film Creep, but this definitely distances itself from Severance in that there is no humour to be found anywhere. Triangle is played straight and serious (in some ways maybe a little too serious), but in doing so it is able to generate some strong suspense and scares. Once you get past the somewhat stilted set-up on the yacht, the movie doesn’t take long to grab hold of you. As the group begins to explore the foreboding corridors of the deserted ship, you can’t help but be reminded of The Shining. The more clues start to accumulate, however, it starts becoming clear that there is something more than a simple haunting at work here.

triangle2

It’s impossible to go into much more detail about the plot without spoiling it, but the events that transpire will definitely seem a bit familiar to anyone who has seen Nacho Vigalondo’s Timecrimes. Triangle was reportedly written over four years ago, so the similarities would appear to be a mere coincidence (and actually, Smith credits the 1945 film Dead Of Night as his main source of inspiration). Either way, things get a bit bloody, but what’s interesting is that although the movie seems to be setting itself up for a very repetitive experience, it continues to evolve and careen off in new directions. I was impressed by the fact that it was able to remain engaging and unpredictable right through to the end.

Melissa George, known for her performances in such as movies as 30 Days of Night and The Amityville Horror, carries the entire film — which is a good thing because the rest of the cast is pretty painful to watch. They are mostly all unknowns, with the exception of perhaps Liam Hemsworth, who happens to be the younger brother of Chris Hemsworth (Star Trek, Thor). Fortunately, they are all mostly inconsequential to the film.

There is a twist involving Melissa George’s character towards the end of the film that attempts to provide some explanation for the strange phenomena, and although I can appreciate the need for a big finale, it felt a bit melodramatic and clunky. I almost wish there was no real explanation, but as with all movies of this nature, there are always a few plot loopholes and plenty of things to nitpick, if you feel so inclined. I prefer to think that a movie like this succeeds as long as it manages to give your brain a decent workout, and I still found myself mulling it over a few days later, which says a lot about the depth of this film.

Overall, I’d have to chalk Triangle up as a pleasant surprise, and I look forward to revisiting it again in the near future. Sadly, if you’re looking for answers, the extras on the Blu-ray are fairly sparse: just six minutes of cast and crew interviews. Bummer. — Sean

SCORE: 3 stars



Recommended If You Like: Timecrimes, Memento, Ghost Ship



  • Loved Triangle… One of those rare D2DVD/BR films that deserved better treatment than it’s received IMO. Very twisty, thought-provoking lite-horror. I’ll take Sean’s lead here and not say anything more than that, as spoiling this little gem would be a true (time) crime!

  • Nice swerve, James.

    This filmed sparked a very thought provoking discussion with us that we decided to bottle until we could get it recorded for The Rotcast. Very much a film that deserves more recognition.

  • I bought Creep from a bargain bin. I hadn’t realized that it was directed by the guy who directed Severance. I liked both Creep and Severance, so I guess I’ll have to keep an eye out for Triangle in the bargain bin.

  • swarez

    I think that this and Timecrimes are stories that could have been solved very easily.

    MEGA SPOILERS AHEAD!!!!!!!

    If she had killed her other self right of the bat, when she figured out how things worked and then joined her friends the cycle would have been broken. But I also know that if that would have happened there wouldn’t be a story. Also it was more about her psychosis than reality.
    Does that make sense?

  • Classic Reed.

  • Napalm

    I’ve heard good things about this movie. Glad to know that you enjoyed it as well Sean! I’m a big sucker for mindfuck/plot twist movies, so this is right up my alley. Will be checking this one out real soon! :D

  • Mrespony

    This flick just happens to be on the way to my home from Netflix. Thanks for the review, looking forward to watching Triangle tonight!

  • 1138

    Hey I was just looking at this DVD at Blockbuster. Kind of dismissed it though as a straight to vid production. But now I’ll reconsider renting since your review Sean was so positive. Also because the director was behind Severance which I really enjoyed.

  • !!Spoilers Below!!

    @swarez Killing herself wouldn’t have done anything, methinks – as every time someone died they simply regenerated when the timeline restarted. I don’t remember if she kills herself over the course of the film, need to rewatch to confirm. Isn’t there a moment when she throws herself overboard and everything resets? The ending kind of confirms that there is no way out of the loop, IMO.

  • damndirtyape

    A Netflix copy is sitting on my desk right this minute taunting me to stop working and watch it.

  • swarez

    MEGA SPOILAGE!!!!

    @James. Well what I was talking about is, what if she does not kill herself, but her other self, shortly after that other self has arrived on board. Then there would be no masked killer and no other of her group would be killed.

  • Miike

    *** HERE BE SPOILERS ***

    As a time travel nut I really enjoy Triangle’s exploration of ideas. I love the car crash switcheroo moment, it made me wonder if the surviving Jess is a ghost until suddenly I remembered what was in the trunk.

    Minor quibble #1:
    It seems to be inconsistent in how multiple iterations generate multiple people & objects. The piles of necklaces and bodies is really cool and freaky. But wouldn’t the supply of rifles and bullets run out? If the pile of dead seagulls at the end is part of the loop-cloning, why aren’t there tons of wrecked cars nearby?

    Minor quibble #2:
    I assume Jess does not have her keys on her when she boards the ocean liner. She finds them dropped by a future version of herself which is how she gets them, to then drop at a later time, and so on into a loop. Where did the keys come from? I don’t mind the paradox, it’s also a fun device used in Lost (Locke’s compass).

    MAJOR quibble:
    There is no point where Jess #1 (in flowered dress) from the beginning of the film goes sailing, or even changes clothes. So where did Jess #2 (in t-shirt & shorts) come from? I see this as a huge writing flaw. It could be fixed by having Jess #2 show up at the house, try to kill Jess #1, get killed herself, leaving Jess #1 to change clothes and go sailing and thus starting the loop. The way it is requires Jess #2 to forget everything that happens to her for no reason, another weakness in the writing.

    But overall, intense and unexpected.

  • SPOILER ALERT

    Here’s my major problem with this film’s logic: The same Jess keeps doing the same events over and over. Think about it. The Jess wearing the stained dress does nothing but die. The one in the tank top does the following events repeatedly:

    – rides the yacht

    – boards the cruise ship

    – throws the masked Jess off of the ship

    – witnesses another version of her throwing the masked Jess off of the ship from the balcony where all the dead Sally’s are

    – becomes the masked Jess, who then gets thrown off the ship by a former version of herself

    – wakes up on the beach, goes to her house, kills another Jess (in the dress), gets in the car accident, and goes back to the dock to start the whole series of events over again.

    PROBLEM #1:

    By the time she gets back to the dock, she has already lived that entire series of events (quite possibly an unlimited number of times), so why doesn’t she remember what the hell is going on when she inevitably ends up back on the cruise ship rather than just having deja vu? Does she have amnesia? If so, when does it happen?

    Not after the car crash, presumably, because she still realizes that she needs to get back to the cruise ship to try to set things straight. During the storm? Maybe she bumps her head? They never make mention of any amnesia to my recollection.

    PROBLEM #2

    As I mentioned, the same Jess keeps living these events over and over again. This whole fiasco could have theoretically happened hundreds of times over (at least dozens based on all of the necklaces, dead Sallys, and dead seagulls). How has Jess never once stopped to have a meal? Shouldn’t she have become ill or died from fatigue at some point? Sure, she gets some sleep when she passes out before she washes up on the beach, but how does she keep pressing on without physical deterioration?

    PROBLEM #3

    Much like my last point about Jess’ physical deterioration, how about the deterioration of her clothes? The other characters ask her multiple times on the cruise ship, “What happened to you?” after taking notice of her disheveled appearance, but after she’s gone through the entire series of events over and over again she keeps showing up on the dock looking good as new? Maybe she changes her clothes after she kills the version of herself wearing a dress, but before she leaves the house again with her son, but she puts on the exact same outfit again?

    Okay…enough of that line of thinking. Here’s my next big problem with the plot:

    PROBLEM #4

    The idea is that each time everyone on the cruise ship has died, the ship will pass by the capsized yacht again, starting everything over, correct? Well, how come Jess doesn’t have to die? If they all have to be dead before the ship passes the yacht again, shouldn’t Jess have to die for the next set of characters to arrive, too?

    This movie makes my head hurt. It was a fun watch, but I think that overall Time Crimes is not only a better film, but makes a bit more logical sense.

  • Ralf

    @Rian:

    I think all your points scream the solution: Jess is in fact dead, doomed to eternally live out a purgatory created by her guilt over child abuse.

  • Napalm

    i enjoyed the movie to a certain extent but at the end of the day it raises more questions than answers. the movie itself doesn’t explain a lot of things and i don’t like the whole “its up to you to interpret” argument, because after reading all the explanations it still doesn’t make a whole lot of sense. the only explanation that seems interesting/possible to me (and has some relevance to the movie itself) is the whole Greek myth theory. but still at the end of the day the writer loses points for leaving things so loose and unfinished. just my 2 cents.

  • @swarez No matter what, she is going to die and the timeline will reset, even if from old age/natural causes. Also, killing the earlier version of herself would just reset the timeline again. Remember, the movie sets the rule that if any version of herself dies the timeline resets.

    Or something. My brain hurts.

  • HFD

    Great flick. George’s subtle, detached acting is worth the watch alone. Definitely worth a second watch, which makes a movie stand out in my opinion.

  • film11

    I thinbk what some don’t realize is that it’s not just Jess, but everyone else is dead as well when the boat capsized. (Except for Heather, who survived, which is why they can’t find her.)

  • The rules of time as we know them don’t exactly apply to the dead.

  • Gwyn

    Ralf’s explanation may seem simplistic but makes wonderful sense. Has he by any chance read ‘Pincher Martin’ by William Golding?

  • Pittmo

    Could have solved the whole situation if:
    When she is on the ship looking at the wrecked yacht coming towards her, she would have just yelled at them “Hey you guys, it’s me! Let’s ALL try to figure out whats going on.” instead of hiding and running away. Or at least when they’re all in the theater together. Why is she so scared of them? She KNOWS them! AND she could have given them all (including her double) a heads up on the masked person killing everyone-who she didn’t know was her at that point.
    I know it’s kind of confusing, but 1 sentence “Look, I don’t know what’s going on, but there is a masked person trying to kill everyone and we need to get off this ship” could have done it.
    If she would have said this, then they all (yeah, both of her) could’ve got back to shore and been with her kid. In theory, the kid would’ve had 3 mommy triplets (2 from ship & 1 already at home), but at least it would’ve broken the chain.

    Unexplained plot points:
    1)At no point does she write the FIRST note “If they board, kill them”. I see how the others got there-she’s comparing her handwriting. Would have made sense if the Jess who does decide to kill them had written 1 note and placed it there for the latter Jess to compare handwriting.

    2)At no point does her necklace fall off and just hang on the grate. I see how the rest got there, but the first one (which doesn’t actually fall either) is wrapped around the grate. If this had happened at any point, she would have unwrapped it and not had to look down, causing her to lose the one around her neck. This scene should have been cut and serves no purpose (especially since it makes no sense) other than to show the viewer that this is a loop. Again, would have to be a previous Jess to fish out a necklace and wrap it around the grate for a latter Jess to find and drop her necklace, but this would serve no purpose for either.

    3)If there is a bunch of dead Sally’s on deck, how come there isn’t a bunch of dead Sally’s in the theater (which is the first place we see her die)? We see her pitch the boyfriend off the deck, but at no point does she clean up the Greg/Sally mess from the theater.

    4)When Jess almost shoots the other Jess in the face in the theater, this is the one and only time this happens. This creates a closed loop, which is not a loop at all. Hundreds of variations could happen each time, inevitably closing the “loop”. For a good example of an open loop-see Timecrimes, in which each scenario is exactly the same and could repeat itself forever.

    Timecrimes-A+
    Triangle-C for effort

  • hanZ

    There are 5 Jess’ during the movie. There are 3 timelines.

    Jess #A:
    Opens the door -> gets killed by Jess #X1. (thats the only thing Jess #A does)

    Jess #X1.
    This is the main Jess, which will be the same as Jess #X2 and Y, only in other timelines.
    Jess #X1 rings the bell, kills Jess#A, puts her in a bag, gets an accident, and cause of the loss of her son, she have to enter the ship again to bring him back.
    She enters the cruise, reads the blood on the mirror, got attacked by Viktor1. At the end she’ll enter the theater where Jess #Y shoots 3 man down.
    Jess #X1 and Jess #Y confronting eachother, which will lead in #Y falling down the cruise in the water.

    Now I create Jess #X2. Though this is the same person as Jess#X1, i name her different because of the 2nd timeline. Now #X1 sees #X2 aboard the cruise, and #X2 will be the one which drop the keys, read the blood (before X1 does), gets noticed in the mirror, gets Viktor2 stung and meets a fresh Jess, named #Z in the ballroom.

    Now pay attention here. Cause this is where Jess #Z is created. Because a new ship entered in timeline 1; (at the place X1 and Y are confronting) this will also happen in the 2nd timeline. This is where the (for you guys) missing Jess #Z is created. Jess #Z only: flies for Jess#X2 with the gun pointed, so she turns bad and she got shot in the theater with the bag on her head, and finally she stabs sally and the other guy in one of the cabins.

    Now I’ll continue Jess #X2:
    Jessx2 continues her timeline by shooting at the head of Jess #Z in the theatre, and ends her timeline by the 100 sally’s. Now #X2 becomes #Y, and she sees #X2 killing #Z. (#X2 to #Y is because this is the end of a timeline). You should draw it, and you’ll see that #Y hasn’t got a past, and so she just can’t say what happened before, because she hasn’t got a past. This is with al the de-ja-vu thing. It has happend, but she can’t seem to remember it because she doesnt have a past.

    My Theory ends with Jess #Y, which is created at the same time the very first boat enteres the cruise, and they see this ‘mysterious #X1. Well….#Y is looking down at #X1. #Y spies on the first group, writes the bloodwarning, dumps the bodies, shoots 3 man down in the theatre, and is finally throwing off the cruise by #X1. This is where the circle is made complete: #Y becomes #X ready to kill #A and starts all over again.

  • Mikey T

    It’s Hell. The key is the woman who quotes the greek story Sisyphus of pushing the stone up the hill only to watch it roll back down and forced to repeat this for eternity. The main character treated her son like shit during her life (the abusive mother persona was the real character) and we are witnessing her Hell.

  • Fantastic Mr Hank

    thank you.

  • Fantastic Mr Hank

    whoa! Mind. Blown!

  • Fantastic Mr Hank

    > I love the car crash switcheroo moment, it made me wonder if the surviving Jess is a ghost until suddenly I remembered what was in the trunk.

    Right!