Avatar Review

Avatar
Written and Directed by: James Cameron
Starring: Sam Worthington, Sigourney Weaver, Zoe Saldana, Giovanni Ribisi, Michelle Rodriguez, Joel Moore

Avatar

We’ve been waiting for over a decade now to see James Cameron return to the world of big budget filmmaking. After Titanic there was simply nothing left for him to conquer, and everyone knows that the one thing that drives James Cameron is a challenge. Now that technology has had time to progress to the next stage, he has finally decided to up the ante all over again.

Despite Cameron’s untarnished track record, many questions remained. Had he been away from the game too long? Was the hype starting to exceed all reasonable expectations? And was he asking too much of audiences to embrace a strange new world when they’ve grown accustomed to so many familiar sequels, remakes and spin-offs? Valid questions, perhaps, and yet they quickly fade away after being absorbed into the world of Avatar.

Avatar is a fantasy/sci-fi epic that takes place on Pandora, a lush, green planet where an humanoid alien race known as the Na’vi live in total harmony with nature. Humans want to get their hands on some of the valuable minerals contained beneath the planet’s surface, but in order to do that, they need to relocate the natives. To gather intelligence and learn more about their culture, the U.S. military creates genetic Na’vi clones that can be controlled remotely by human soldiers using a neural link. When Jake Sully, a wheelchair-bound Marine, infiltrates the Na’vi clan, he soon finds himself torn between two bodies and two opposing ways of life.

This movie is equal parts Star Wars, Jurassic Park and The Lord of the Rings, all passed through a James Cameron filter. It’s hard to shake the feeling that you’ve seen a lot of these elements before, but at the same time, you’ve never seen them quite like this. The story is fairly straightforward, and it’s a little light on plot and character development, but your appreciation for Avatar will hinge almost entirely on just how earth-shattering you find the visuals.

From a sensory standpoint, there is nothing comparable. The environments are stunning, the CG is absolutely top notch, and the 3-D enhances everything in subtle yet significant ways. People who thought that the Avatar previews looked like Star Wars: Episode 1 (or worse yet, Battle for Terra) have no idea what they’re in for. The character models are ridiculously detailed and expressive. The eyes and the mouths are so eerily real, and the motion capture so fluid that you can’t quite believe what you’re seeing. Live action and CG intersect seamlessly and with flawless execution.

The 3-D also helps with the realism because it distances you from the characters slightly, and obscures some of the details when the camera is moving. This can be frustrating during some of the action scenes, when you find that you can’t quite focus on anything. On the other hand, it really immerses you in the world; you are constantly surrounded by floating seeds, falling ash or thick foliage. And the aerial scenes truly give you a sense of speed and height like never before.

AVATAR

Sam Worthington (Terminator Salvation) proves why he is the next big action star. Even if he didn’t seem to do much physically on screen, his presence and personality carry this movie through to the end. It’s great to see Sigourney Weaver in another strong female role, Michelle Rodriguez is surprisingly likable, and Giovanni Ribisi is the best corporate douchebag since Paul Reiser in Aliens.

The two standout performances, however, come from Zoe Saldana and Stephen Lang. Saldana (recently seen as Uhura in Star Trek) plays the Na’vi princess Neytiri, and through the performance capture process manages to sell the character about as well as any CG character has ever been sold before. Lang, on the other hand, is the hulking Colonel Quaritch, the movie’s memorable (albeit two-dimensional) villain. Some of his dialogue definitely rides the line of cheesiness, but at the same time, the macho military stuff is pure Jim Cameron and perhaps the greatest tie to his earlier films.

Like Michael Bay, James Cameron subscribes to the theory that bigger is better, and at times Avatar feels like it’s trying to wow you into submission. Almost every vehicle or creature has to be absolutely gigantic, and the environments also rely more on overwhelming scale than intricate detail. The world is impressive, I just wish there was more of a sense of discovery throughout the film. I also think he overdid it a little bit with the Na’vi spirituality and the environmental themes, which seem clumsy and heavy-handed, and sometimes border on being comical. But we all expected that, right?

Yes, the movie is a bit too long as well– I felt it dragged a bit in the middle while Jake was learning the ways of the Na’vi with no real conflict to push it along. That being said, the last half-hour is an all-out assault that barely pauses to let you catch your breath, and it is pretty awesome. Regardless of how the movie gets there, the action sequences are beyond thrilling, and the relationship between Jake and Neytiri packs enough of an emotional punch to make it mean something.

On a purely technical level this movie is unparalleled and easily earns four stars in that department, but it is debatable whether or not it deserves a perfect score overall for that alone. Due to the relatively predictable story, occasionally cheesy dialogue and uneven pacing, I am inclined to rank it somewhere alongside Star Trek as another 2009 blockbuster that is highly entertaining, but not particularly deep. I just happen to think Avatar stops a bit shy of being a masterpiece.

Your mileage may vary, but one thing’s for certain: this is the beginning of a new powerhouse sci-fi franchise and it is a must-see movie if ever there was one. You should not wait to see this on DVD, because the home theatre experience won’t even come close (at least not for a couple of years anyway). Whether or not James Cameron has truly changed the industry remains to be seen for the time being, but in the end I think all the money and hard work was definitely justified by the final result. — Sean

SCORE: 3.5 stars



Recommended If You Like: Star Wars: Episode 1, Aliens, Jurassic Park



  • John Robertson

    Outstanding when seen in 3D on IMAX sceen. Get over the plot and details this is a spectacular step forward in movie making and everyone should share in the experience of this form of moviemaking. All you naysayers get a life.

  • Monique

    Honest opinion-

    I thought the film was beautiful- lush scenery, vivid colours, nice message (of course our govt would go in and destroy! what else is new!)

    But I thought it was a bit boring. Probably because of the length. I felt no connection to the characters or the “love story.” Cuz it dragged.

    I always cry at a good love story.

    I’d give it three stars on the special effects alone.

    on a scale of one to 10 I thought it was a 7.

  • mrjasonthelegend

    So I would say something myself about this movie but one of my close friends Keith took the words right out of my mouth before I could. Here is what her had to say…

    ‘The secret to film is that it’s an illusion.’ – George Lucas

    Everyone who I talked to that has seen this movie has expressed how awesome it is. One even said, and I quote, ‘it’s the most awesome of awesomeness’. Others have labeled it, ‘amazing’. And the reviews have been mostly positive. A lot of buzz surrounds it. It looks like it may sank Titanic (finally!) It’s the most talked about movie in a long-long time. And yet, no one can explain to me what it is about or rather, why it is awesome. So let me simplify the story for you…

    A long time ago in a galaxy – far – far – away…

    Ex-marine John J. Dunbar longs for the ‘final frontier’. He is talked into, by the Bush administration, to go to Planet Skull Island because there is oil under the ground. There, he plugs into the Matrix using the stargate to turn him into an eight-foot-Smurf. He then makes friends with the other eight-foot-Smurf’s, and falls in-love with Pocahontas, who tells him about the ‘colors of the wind’. He learns their language, culture, and finds that his own kind are evil. He sides with the locals and fights alongside them in an epic battle for Narnia: the Last Rain Forest!

    Okay, you get the point. This isn’t exactly the most original piece of storytelling you can find. The facebook status’ and the reviews’ I read suggest that clearly. However and let’s be honest here – is Star Wars really original? George Lucas went on record himself and said he ‘lifted’ a lot of ideas, meshed it together, and created his own mythology. James Cameron has done the same thing here.

    He knew he was creating a science fiction/fantasy ‘Dances With Wolves’. And in essence, he knew he would be nailed for some of the obvious comparisons to other movies. He has no shame in it. That’s why he probably took ten years perfecting the special effects. This would have been timely five+ years ago, right when Bush Jr. decided to go back to Iraq. This is also Al Gore’s alley, as it is pro-Earth. I wonder if the filmmakers went green with everything during production.

    The movie’s appeal rest on the shoulder’s of its impressive and dare I say it, ‘magical’ special effects. Not since the first Jurassic Park has a movie wowed me to the point that I am asking myself, ‘how did they do that?’ Not only do you have jaw-dropping effects but also you have visuals that will take your breath away. Cameron was very specific when he dreamt what Pandora would look like. He was very detailed what the Na’vi are like. And he knew what all the creatures functions would be . Like the original Star Wars trilogy, there is authenticity to this movie. It looks, seems, and feels natural. And like the first Jurassic Park back in 1993, I was left in my theater seat, blown away by what I just experienced.

    Every movie with high special effects like this has flaws. Even Mr. Lucas hasn’t been able to find a way to blend CGI and real life actors in a believable way. There are still traces of actors in front of a screen. The King of the World has masterfully found a way to blend both, and go one step further by enhancing the experience in a 3-dimensional world.

    Days later, I am still amazed by what I saw. I even find myself wondering if what I saw was just a dream. James Cameron has been known as a director that has the craft for memorable images in his movies. Some of the things I’ve seen in this film felt too familiar – like the plot itself. But there was a lot that I have never seen before, or could even imagine. That’s why this movie has the wide-range appeal it has. And why it has the ‘word of mouth’ marketing it does (like Cameron’s Titanic did 13 years ago).

    It’s grounded in its own genre, and it doesn’t hide from it. But it goes beyond its potential to a place we have never been before. That’s the magic of the movies. It’s rare to see realism and surrealism blend together evenly. So evenly, that you can’t tell one from the other. I am sure even Steven Spielberg, Peter Jackson, and Lucas has said, ‘how did he do that?’.

    I now know what Stanley Kubrick meant when he said, ‘If it can be written, or thought, it can be filmed.’

    Welcome back James Cameron. Now, can you fix the Terminator series, please?!?