Errol Morris to Take Another Shot at Fictional Filmmaking

Errol Morris

As some Film Junk readers may know, I’m a huge fan of Errol Morris. He is, without question, one of my top five directors of all time. But even I was bored to death when I recently checked out his only fictional film, The Dark Wind. This middle of the road murder mystery is so forgettable that most people don’t even realize it’s a part of Morris’ filmography. It’s too bad too, because after his amazing work on The Thin Blue Line, you’d think the jump to a big screen thriller would be a great match; especially considering he brought Blue Line’s cinematographer, Stefan Czapsky, along for the ride. Unfortunately, the results were closer to an excrutiatingly slow paced, glorified episode of Scooby Doo.

That was 1991. I think enough time has passed to get excited for Morris’ second attempt at a ‘narrative’ piece. According to Variety, his next project is a big screen adaptation of ‘We Froze the First Man’. Haven’t heard of it. BUT…the interesting part is this story was recently featured on an episode of This American Life — titled ‘You’re as Cold as Ice’ — and will actually be produced under their new feature film production company! I’ve always thought the TV show had a ‘First Person’ feel to it, and I’m guessing the radio program was inspired by Morris’ films, considering the fact that the show’s host, Ira Glass, is the first cousin of long time Morris’ collaborator Philip Glass.

According to the Variety article, the story “centers on Nelson, a TV repairman who in the 1960s joined a group of enthusiasts who believed they could cheat death with a new technology: cryonics. But freezing dead people so scientists could reanimate them in the future turned out to be harder than Nelson thought.” Sounds pretty awesome to me! The screenplay will be written by Zach Helm, who’d previously wrote Stranger Than Fiction and Mr. Magorium’s Wonder Emporium, both of which were adapted from his own novels. I haven’t seen either of those films, but to be honest, it’s not Helm that I’m interested in here.



  • Stranger than fiction is an excellent movie, you should watch it sometime.

    On the subject at hand, well, we’ll see how he does, though I’m not expecting too much after your description of his last fictional movie.

  • The thing that’s cool is that it’s all based on a true story as far as I know. I almost wish it was a doc instead.

  • Phil G

    Hopefully, unlike DARK WIND, he’ll be able to bring some of the techniques and ideas that make his docs so interesting to this. Zach Helm is incredibly overrated as a writer (he tries to be too clever and it falls flat most of the time; STRANGER THAN FICTION was illogical, even within the fantastical framework it sets up, and sucked to boot; not only was the story retarded, but Marc Forster is a shit director), but the story here sounds awesome. Like you, Jay, it’s not Helm that is interesting about this idea.

  • Shame

    I’m very excited by this movie. I hope it works out.

    But Phil: How could STF be logical? The main character hears a narrator 5 minutes in. What did you expect the movie to do after that; start making sense?

    Helm is not overrated. His screenplays are actually really well done if anyone’s read them. The execution of STF by Forster was terrible and apparently MMWE (so the rumor goes) was completely re-cut by Walden so I agree the movies don’t work, but not because of him.

    Also, having seen him at a q & a, Helm is really humble and speaks openly about where his work has succeeded and failed. So of all the people in Hollywood you want to pick on, it’s that guy?

    Meanwhile I’m sure all the hype around you is well deserved.

  • Phil G

    To the logic of STRANGER THAN FICTION, I’ll say this: if his life is being written, and his life now includes a knowledge of this authorial voice, then surely this knowledge is now part of the narrative of which he is a protagonist? In effect, writer and character are part of the same narrative. If this is the case, then how the fuck is Emma Thompson surprised that her character shows up in her life and is actually a person? She wrote it that way; she couldn’t possibly be surprised. This is but one of the many logical flaws in this movie. I expect a movie to stay logical only within the world or framework it sets up. I mean, obviously light speed is impossible, but I’m not watching STARS WARS thinking, “Bullshit, the Falcon could never do that!” Within the world of STAR WARS light speed is possible, so I can easily go with it. The same cannot be said of STRANGER THAN FICTION.

    I have read Helm’s screenplay, and I find them to be well written but fairly pretensious. He tries too hard to be Charile Kaufman and is just not up to the task.

  • I thought Stranger Than Fiction was a very good film. Maggie Gyllenhaal was in it too, which makes any film that much more awesome.

  • paulm

    I hope it’s better than “Canadian Bacon.” Bacon, mmmmmmmmmm…

  • I just ate a pizza with bacon, it was really good. I wonder how canadian bacon tastes as opposed to the bacon here. Mmmmmm bacon…