Treknobabble #13: The Rise and Fall of The Next Generation

Treknobabble is a continuing series of columns written by uber-Trekkie Reed Farrington in anticipation of the upcoming J.J. Abrams Star Trek movie.
So why aren’t Picard and company saving the universe in the next Star Trek movie?
The obvious answer is that the last Next Generation movie did very badly at the box office. The last movie, Nemesis, was advertised as the last Next Generation movie, but I assumed this was a marketing ploy after Insurrection didn’t perform so well. Sure, Patrick Stewart is getting old, and the supporting cast aren’t strong enough to drive a movie on their own, but this crew supposedly has chemistry and well-loved characters.
It doesn’t seem fair to me that when a sequel doesn’t do well, a franchise comes to an end. Only those franchises that have a life beyond movies ever get another chance to be revitalized. (Hey, there’s another “re” word!) Because Batman and Superman are still popular comic book and cartoon television series characters, they got second chances after producing atrocious sequels. So those movie franchises got reboots just like Star Trek. And because of a lack of imagination, we get origin stories.
Because the other Star Trek series never became popular enough, there was no hope in ever seeing a movie with those characters. Fans dreamed about taking the popular characters, or at least a mixture of characters, from all the series and having them in a movie. Or even a movie with all the captains. I don’t know if any of these ideas were seriously considered by studio heads. I suppose no one could come up with a decent script.
When The Next Generation went off the air to take over from The Original Series crew in the movies, The Next Generation was still at the height of its popularity on television. I believe that the actors’ contracts needed to be renewed and renegotiated, and it seemed more profitable to star them in movies while having cheaper actors starring in new series like Voyager. Seven years’ worth of episodes was plenty for syndication so The Next Generation could make money in reruns as well. (Hey, I’ve got a new title for the next movie: “Star Trek: The Rerun”.)
Somehow, The Next Generation went from seeming like it would become the definitive Star Trek to becoming the forgotten Star Trek. This seems to be a topic that no one bothers to discuss about Star Trek. After all, The Next Generation had better acting. Better special effects. (The first season effects are horrendous by today’s standards, though.) More realistic music. Um… can’t think of anything else. Okay, perhaps I’m not the best person to champion The Next Generation.
Most people agree that The Next Generation’s popularity took off with the second season cliffhanger when Riker issued the order to fire on the Borg ship containing the Borg-ified Picard. [Wasn’t that season 3? — Sean] The producer/writer Michael Piller gets credit for creating stability in the writing staff. Key writers, Ronald D. Moore and Brannon Braga, are hired. Later, Braga would be one of the creators of Enterprise. Moore would get acclaim with the new Battlestar Galactica. Braga would get a reputation for writing the bizarre stuff, while Moore would make Klingons popular and bring in elements from The Original Series.
Somehow, The Next Generation caught on as being a family show. I began reading Internet posts about how families would watch episodes together and discuss the morality and ethics of what took place in the show. I even witnessed my sister-in-law’s brother-in-law’s enthusiasm for the show at a family gathering. We have never discussed anything geeky then or since.
Personally, I enjoyed several episodes, but I never did understand the popularity that the show attained. I enjoyed the single plot line episodes more. Maybe that’s why I still like The Original Series the best.
My favorite Next Generation episode is “Tapestry”. [Mine too! — Sean] It’s the “It’s a Wonderful Life” type story in which Q shows Picard what his life would have been like if Picard had acted more thoughtfully in his youth. By not being impulsive and head-strong, Picard would still have his original heart, but he would only be an ensign, not a captain. (Ironically, now that Picard is captain, he no longer exhibits the qualities that made him captain. I guess we can argue about this later.) What made this episode so powerful for me is that it made me reflect on why my career was going nowhere.
As for the movies, everyone agrees that Kirk stole the show in Generations. Everyone thought First Contact was great. Everyone thought Insurrection sucked. (The main complaint was it seemed like a television episode rather than a movie. It was written by Michael Piller (see above). I thought people liked the television show.) And Nemesis sucked even worse. I don’t remember any specific complaints about Nemesis. The actors later complained that the director didn’t know or care about Star Trek. But as to exactly how this translated to what was seen on screen, I don’t know. Refer to my review of the movies for some specific comments about why I thought Nemesis sucked.
If you’ve ever wanted to get Brent Spiner’s autograph, now’s the time to get it while his popularity is low. (Sorry, Mr. Spiner.) He’s notorious for not attending conventions, but on the web, he’s trying to sell a new audio CD, “Dreamland,” of cover-tunes of old standards. I think for $25(US), he’s willing to sign his name on the CD, and for $30(US), he’ll actually personalize the CD to you (or anyone you wish, I suppose). Those prices include the CD. Unfortunately, you need to get the CD to get his autograph.
Actually, Mr. Spiner sings rather decently. I have his first CD, “Ol’ Yellow Eyes is Back.” Picard, Number One, Worf, and LaForge even joined him on one number. If you’re a fan of Lawrence Welk or Frank Sinatra, you’ll love Spiner’s music. (But he’s no Shatner. No one can speak a song like Shatner.)
I’ve noticed that there are very few fans of The Next Generation in Hollywood. Whenever someone like J.J. Abrams is interviewed about Star Trek, they always mention The Original Series. Even the stars, Scott Bakula and Jolene Blalock, of Enterprise never watched The Next Generation and referred constantly to The Original Series.
From glimpses depicted in the television series, we know early in Picard’s history that he was a brash, impulsive character. This could lead to interesting adventures. And we know that Data even by the first episode and adventure with the Enterprise-D crew doesn’t fit in with humans. So imagine how awkward and humorous his adjustment period would be after being first activated. Do we need to wait for the next generation of filmmakers before we get to see the story of Picard and Data’s Starfleet cadet days?




































































